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	<title>Comments on: Sanctification and the Gospel</title>
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		<item>
		<title>By: Guerlencecy</title>
		<link>http://reformedforum.org/ctc57/#comment-15573</link>
		<dc:creator>Guerlencecy</dc:creator>
		<pubDate>Sun, 14 Mar 2010 17:33:03 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-15573</guid>
		<description>&lt;b&gt;&lt;i&gt;Screen printing&lt;/i&gt;&lt;/b&gt; first appeared in a recognizable form in China during   the Song Dynasty (960–1279 AD). Japan and other Asian countries adopted this method of printing and   advanced the craft using it in conjunction with block printing and hand   applied paints.
Screen printing was largely introduced to Western Europe from Asia   sometime in the late 1700s, but did not gain large acceptance or use in   Europe until silk mesh was more available for trade from the east and a   profitable outlet for the medium discovered.
Screen printing was first patented in England by Samuel Simon in   1907. It was originally used as a popular method to print expensive wall   paper, printed on linen, silk, and other fine fabrics. Western screen   printers developed reclusive, defensive and exclusionary business   policies intended to keep secret their workshops&#039; knowledge and   techniques.
Early in the 1910s, several printers experimenting with   photo-reactive chemicals used the well-known actinic   light activated cross linking or hardening traits of potassium,   sodium or ammonium Chromate and dichromate chemicals   with glues and gelatin compounds. Roy Beck, Charles Peter and   Edward Owens studied and experimented with chromic acid salt sensitized   emulsions for photo-reactive stencils. This trio of developers would   prove to revolutionize the commercial screen printing industry by   introducing photo-imaged stencils to the industry, though the acceptance   of this method would take many years. Commercial screen printing now   uses sensitizers far safer and less toxic than bichromates. Currently   there are large selections of pre-sensitized and &quot;user mixed&quot; sensitized   emulsion chemicals for creating photo-reactive stencils.
Joseph Ulano founded the industry chemical supplier Ulano and in 1928   created a method of applying a lacquer soluble stencil material to a   removable base. This stencil material was cut into shapes, the print   areas removed and the remaining material adhered to mesh to create a   sharp edged screen stencil.
Originally a profitable industrial technology, screen printing was   eventually adopted by artists as an expressive and conveniently   repeatable medium for duplication well before the 1900s. It is currently   popular both in fine arts and in commercial printing, where it is   commonly used to print images on Posters, T-shirts, hats, CDs, DVDs,   ceramics, glass, polyethylene, polypropylene, paper, metals, and wood.
A group of artists who later formed the National Serigraphic Society   coined the word Serigraphy in the 1930s to differentiate the artistic   application of screen printing from the industrial use of the process.&quot;Serigraphy&quot; is a combination word from the Latin word &quot;Seri&quot; (silk)   and the Greek word &quot;graphein&quot; (to write or draw).
The Printer&#039;s National Environmental Assistance Center says   &quot;Screenprinting is arguably the most versatile of all printing   processes.&quot;Since rudimentary screenprinting materials are so affordable and   readily available, it has been used frequently in underground settings and subcultures,   and the non-professional look of such DIY   culture screenprints have become a significant cultural aesthetic   seen on movie posters, record album covers, flyers, shirts, commercial   fonts in advertising, in artwork and elsewhere.
History 1960s to   present
Credit is generally given to the artist Andy   Warhol for popularizing screen printing identified as serigraphy,   in the United States. Warhol is particularly identified with his 1962   depiction of actress Marilyn Monroe screen printed in garish colours.
American entrepreneur, artist and inventor Michael Vasilantone would   develop and patent a rotary multicolour garment &lt;a href=&quot;http://www.cn-jinbao.com/en/web/screen-printing-machine.html&quot; rel=&quot;nofollow&quot;&gt;&lt;b&gt;&lt;i&gt;screen printing machine&lt;/i&gt;&lt;/b&gt;&lt;/a&gt; in 1960. The   original rotary machine was manufactured to print logos and team   information on bowling garments but soon directed to the new fad of   printing on t-shirts. The Vasilantone patent was soon licensed by   multiple manufacturers, the resulting production and boom in printed   t-shirts made the rotary &lt;i&gt;garment&lt;/i&gt; &lt;a href=&quot;http://www.cn-jinbao.com/en/web/screen-printing-machine.html&quot; rel=&quot;nofollow&quot;&gt;&lt;b&gt;&lt;i&gt;screen printing machine&lt;/i&gt;&lt;/b&gt;&lt;/a&gt; the most   popular device for screen printing in the industry. Screen printing on   garments currently accounts for over half of the screen printing   activity in the United States.
Graphic screenprinting is widely used today to create many mass or   large batch produced graphics, such as posters or display stands. Full   colour prints can be created by printing in CMYK (cyan, magenta, yellow and black   (&#039;key&#039;)). Screenprinting is often preferred over other processes such as dye sublimation or inkjet printing because of its low   cost and ability to print on many types of media.
Screen printing lends itself well to printing on canvas. Andy   Warhol, Rob Ryan, Blexbolex, Arthur Okamura, Robert Rauschenberg, Harry Gottlieb, and many other artists have used screen   printing as an expression of creativity and artistic vision.</description>
		<content:encoded><![CDATA[<p><b><i>Screen printing</i></b> first appeared in a recognizable form in China during   the Song Dynasty (960–1279 AD). Japan and other Asian countries adopted this method of printing and   advanced the craft using it in conjunction with block printing and hand   applied paints.<br />
Screen printing was largely introduced to Western Europe from Asia   sometime in the late 1700s, but did not gain large acceptance or use in   Europe until silk mesh was more available for trade from the east and a   profitable outlet for the medium discovered.<br />
Screen printing was first patented in England by Samuel Simon in   1907. It was originally used as a popular method to print expensive wall   paper, printed on linen, silk, and other fine fabrics. Western screen   printers developed reclusive, defensive and exclusionary business   policies intended to keep secret their workshops&#8217; knowledge and   techniques.<br />
Early in the 1910s, several printers experimenting with   photo-reactive chemicals used the well-known actinic   light activated cross linking or hardening traits of potassium,   sodium or ammonium Chromate and dichromate chemicals   with glues and gelatin compounds. Roy Beck, Charles Peter and   Edward Owens studied and experimented with chromic acid salt sensitized   emulsions for photo-reactive stencils. This trio of developers would   prove to revolutionize the commercial screen printing industry by   introducing photo-imaged stencils to the industry, though the acceptance   of this method would take many years. Commercial screen printing now   uses sensitizers far safer and less toxic than bichromates. Currently   there are large selections of pre-sensitized and &quot;user mixed&quot; sensitized   emulsion chemicals for creating photo-reactive stencils.<br />
Joseph Ulano founded the industry chemical supplier Ulano and in 1928   created a method of applying a lacquer soluble stencil material to a   removable base. This stencil material was cut into shapes, the print   areas removed and the remaining material adhered to mesh to create a   sharp edged screen stencil.<br />
Originally a profitable industrial technology, screen printing was   eventually adopted by artists as an expressive and conveniently   repeatable medium for duplication well before the 1900s. It is currently   popular both in fine arts and in commercial printing, where it is   commonly used to print images on Posters, T-shirts, hats, CDs, DVDs,   ceramics, glass, polyethylene, polypropylene, paper, metals, and wood.<br />
A group of artists who later formed the National Serigraphic Society   coined the word Serigraphy in the 1930s to differentiate the artistic   application of screen printing from the industrial use of the process.&quot;Serigraphy&quot; is a combination word from the Latin word &quot;Seri&quot; (silk)   and the Greek word &quot;graphein&quot; (to write or draw).<br />
The Printer&#8217;s National Environmental Assistance Center says   &quot;Screenprinting is arguably the most versatile of all printing   processes.&quot;Since rudimentary screenprinting materials are so affordable and   readily available, it has been used frequently in underground settings and subcultures,   and the non-professional look of such DIY   culture screenprints have become a significant cultural aesthetic   seen on movie posters, record album covers, flyers, shirts, commercial   fonts in advertising, in artwork and elsewhere.<br />
History 1960s to   present<br />
Credit is generally given to the artist Andy   Warhol for popularizing screen printing identified as serigraphy,   in the United States. Warhol is particularly identified with his 1962   depiction of actress Marilyn Monroe screen printed in garish colours.<br />
American entrepreneur, artist and inventor Michael Vasilantone would   develop and patent a rotary multicolour garment <a href="http://www.cn-jinbao.com/en/web/screen-printing-machine.html" rel="nofollow"><b><i>screen printing machine</i></b></a> in 1960. The   original rotary machine was manufactured to print logos and team   information on bowling garments but soon directed to the new fad of   printing on t-shirts. The Vasilantone patent was soon licensed by   multiple manufacturers, the resulting production and boom in printed   t-shirts made the rotary <i>garment</i> <a href="http://www.cn-jinbao.com/en/web/screen-printing-machine.html" rel="nofollow"><b><i>screen printing machine</i></b></a> the most   popular device for screen printing in the industry. Screen printing on   garments currently accounts for over half of the screen printing   activity in the United States.<br />
Graphic screenprinting is widely used today to create many mass or   large batch produced graphics, such as posters or display stands. Full   colour prints can be created by printing in CMYK (cyan, magenta, yellow and black   (&#8216;key&#8217;)). Screenprinting is often preferred over other processes such as dye sublimation or inkjet printing because of its low   cost and ability to print on many types of media.<br />
Screen printing lends itself well to printing on canvas. Andy   Warhol, Rob Ryan, Blexbolex, Arthur Okamura, Robert Rauschenberg, Harry Gottlieb, and many other artists have used screen   printing as an expression of creativity and artistic vision.</p>
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	</item>
	<item>
		<title>By: Brandon</title>
		<link>http://reformedforum.org/ctc57/#comment-11043</link>
		<dc:creator>Brandon</dc:creator>
		<pubDate>Sat, 07 Nov 2009 17:52:11 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-11043</guid>
		<description>I have not read any of Gaffin&#039;s work, only comments on it. After listening to this interview it seems that what Gaffin is struggling with is what previous generations struggled with when they debated &quot;eternal justification&quot;: How can God be for me (give me a new heart) before he is for me (justification)? Gaffin solves this by saying an &quot;existential union&quot; is the grounds for regeneration.

It also seems that some confusion comes from the fact that Calvin uses sanctification and regeneration interchangeably?</description>
		<content:encoded><![CDATA[<p>I have not read any of Gaffin&#8217;s work, only comments on it. After listening to this interview it seems that what Gaffin is struggling with is what previous generations struggled with when they debated &#8220;eternal justification&#8221;: How can God be for me (give me a new heart) before he is for me (justification)? Gaffin solves this by saying an &#8220;existential union&#8221; is the grounds for regeneration.</p>
<p>It also seems that some confusion comes from the fact that Calvin uses sanctification and regeneration interchangeably?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Reformed Forum &#187; Calvin as a Servant of the Word of God</title>
		<link>http://reformedforum.org/ctc57/#comment-9266</link>
		<dc:creator>Reformed Forum &#187; Calvin as a Servant of the Word of God</dc:creator>
		<pubDate>Fri, 26 Jun 2009 10:48:47 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-9266</guid>
		<description>[...] Richard B. Gaffin, Jr. on Christ the Center, ep. 57 - Sanctification and the Gospel [...]</description>
		<content:encoded><![CDATA[<p>[...] Richard B. Gaffin, Jr. on Christ the Center, ep. 57 &#8211; Sanctification and the Gospel [...]</p>
]]></content:encoded>
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	<item>
		<title>By: SANCTIFICATION: God to man (not the inverse) &#171; gospel muse:</title>
		<link>http://reformedforum.org/ctc57/#comment-9056</link>
		<dc:creator>SANCTIFICATION: God to man (not the inverse) &#171; gospel muse:</dc:creator>
		<pubDate>Tue, 12 May 2009 04:53:09 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-9056</guid>
		<description>[...]  Anyway, check it out here:  Sanctification and the Gospel [...]</description>
		<content:encoded><![CDATA[<p>[...]  Anyway, check it out here:  Sanctification and the Gospel [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Christ the Center Interview Index</title>
		<link>http://reformedforum.org/ctc57/#comment-9046</link>
		<dc:creator>Christ the Center Interview Index</dc:creator>
		<pubDate>Fri, 08 May 2009 13:09:42 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-9046</guid>
		<description>[...] The Erosion of Inerrancy Dave Garner The Eschatology of Adoption Cornelius P. Venema Peadocommunion Richard B. Gaffin Sanctification and the Gospel Guy Waters N.T. Wright&#8217;s Doctrine of Justification #1 Guy [...]</description>
		<content:encoded><![CDATA[<p>[...] The Erosion of Inerrancy Dave Garner The Eschatology of Adoption Cornelius P. Venema Peadocommunion Richard B. Gaffin Sanctification and the Gospel Guy Waters N.T. Wright&#8217;s Doctrine of Justification #1 Guy [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: In Light of the Gospel &#187; Blog Archive &#187; Union with Christ, Justification, and Sanctification</title>
		<link>http://reformedforum.org/ctc57/#comment-8252</link>
		<dc:creator>In Light of the Gospel &#187; Blog Archive &#187; Union with Christ, Justification, and Sanctification</dc:creator>
		<pubDate>Fri, 27 Mar 2009 20:39:44 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-8252</guid>
		<description>[...] an interview with Christ the Center discussing this very topic. You can listen to that discussion here. Gaffin also has a few articles addressing this issue in the latest edition of Ordained Servant. [...]</description>
		<content:encoded><![CDATA[<p>[...] an interview with Christ the Center discussing this very topic. You can listen to that discussion here. Gaffin also has a few articles addressing this issue in the latest edition of Ordained Servant. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Don&#8217;t Miss This&#8230; &#171; Sacramental Piety</title>
		<link>http://reformedforum.org/ctc57/#comment-7970</link>
		<dc:creator>Don&#8217;t Miss This&#8230; &#171; Sacramental Piety</dc:creator>
		<pubDate>Mon, 02 Mar 2009 03:31:18 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7970</guid>
		<description>[...] is perhaps one of the most brilliant scholars of the past few generations.  Be sure to listen to this.       [...]</description>
		<content:encoded><![CDATA[<p>[...] is perhaps one of the most brilliant scholars of the past few generations.  Be sure to listen to this.       [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gaffin Responds to Fesko</title>
		<link>http://reformedforum.org/ctc57/#comment-7968</link>
		<dc:creator>Gaffin Responds to Fesko</dc:creator>
		<pubDate>Sun, 01 Mar 2009 23:11:12 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7968</guid>
		<description>[...] is helpful and may clarify the issues for those in the throws of this exchange.  Gaffin recently discussed this topic on Christ the Center.     John Fesko, Justification, Mark Garcia, Ordo Salutis, Richard [...]</description>
		<content:encoded><![CDATA[<p>[...] is helpful and may clarify the issues for those in the throws of this exchange.  Gaffin recently discussed this topic on Christ the Center.     John Fesko, Justification, Mark Garcia, Ordo Salutis, Richard [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Doctrine of the Day: Children&#8217;s Catechism and a few Latin Words &#171; Heritage and Destiny</title>
		<link>http://reformedforum.org/ctc57/#comment-7937</link>
		<dc:creator>Doctrine of the Day: Children&#8217;s Catechism and a few Latin Words &#171; Heritage and Destiny</dc:creator>
		<pubDate>Fri, 27 Feb 2009 04:43:30 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7937</guid>
		<description>[...] you have the terminology down and have your interest up, take a listen to an interview with Dr. Richard Gaffin Jr. on Christ the Center to think along with Gaffin on this [...]</description>
		<content:encoded><![CDATA[<p>[...] you have the terminology down and have your interest up, take a listen to an interview with Dr. Richard Gaffin Jr. on Christ the Center to think along with Gaffin on this [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: In Light of the Gospel &#187; Blog Archive &#187; Gaffin: &#8220;Sanctification and the Gospel&#8221;</title>
		<link>http://reformedforum.org/ctc57/#comment-7919</link>
		<dc:creator>In Light of the Gospel &#187; Blog Archive &#187; Gaffin: &#8220;Sanctification and the Gospel&#8221;</dc:creator>
		<pubDate>Thu, 26 Feb 2009 17:11:03 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7919</guid>
		<description>[...] The Reformed Forum posted a new audio conversation with Richard Gaffin on the topic of &#8220;Sanctification and the Gospel.&#8221; Gaffin joined the guys from Christ the Center to &#8220;discuss the nature of the gospel and the relation of the benefits of redemption to union with Christ.&#8221; Other topics of discussion included John Calvin, union with Christ, the duplex gratia dei or two-fold blessing of justification and sanctification, definitive and progressive sanctification, and the relationship between the historia salutis (the history of redemption or the accomplishment of redemption) and the ordo salutis (the order of salvation or its application). Listen to the audio here. [...]</description>
		<content:encoded><![CDATA[<p>[...] The Reformed Forum posted a new audio conversation with Richard Gaffin on the topic of &#8220;Sanctification and the Gospel.&#8221; Gaffin joined the guys from Christ the Center to &#8220;discuss the nature of the gospel and the relation of the benefits of redemption to union with Christ.&#8221; Other topics of discussion included John Calvin, union with Christ, the duplex gratia dei or two-fold blessing of justification and sanctification, definitive and progressive sanctification, and the relationship between the historia salutis (the history of redemption or the accomplishment of redemption) and the ordo salutis (the order of salvation or its application). Listen to the audio here. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: The Gospel and Sanctification &#171; Faith by Hearing</title>
		<link>http://reformedforum.org/ctc57/#comment-7866</link>
		<dc:creator>The Gospel and Sanctification &#171; Faith by Hearing</dc:creator>
		<pubDate>Wed, 25 Feb 2009 00:58:01 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7866</guid>
		<description>[...] The Gospel and Sanctification page &gt;&gt;&gt; [...]</description>
		<content:encoded><![CDATA[<p>[...] The Gospel and Sanctification page &gt;&gt;&gt; [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Camden Bucey</title>
		<link>http://reformedforum.org/ctc57/#comment-7831</link>
		<dc:creator>Camden Bucey</dc:creator>
		<pubDate>Mon, 23 Feb 2009 19:55:39 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7831</guid>
		<description>Tim, I feel the same way about this one!  These are some wonderfully deep things to contemplate.</description>
		<content:encoded><![CDATA[<p>Tim, I feel the same way about this one!  These are some wonderfully deep things to contemplate.</p>
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	<item>
		<title>By: Tim H.</title>
		<link>http://reformedforum.org/ctc57/#comment-7812</link>
		<dc:creator>Tim H.</dc:creator>
		<pubDate>Mon, 23 Feb 2009 00:04:06 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7812</guid>
		<description>Like the episode on Van Til&#039;s Trinitarian thought (among others), I think I&#039;d need to listen to this 10 times to catch it all. Nonetheless, I really appreciated this interview. Thanks!</description>
		<content:encoded><![CDATA[<p>Like the episode on Van Til&#8217;s Trinitarian thought (among others), I think I&#8217;d need to listen to this 10 times to catch it all. Nonetheless, I really appreciated this interview. Thanks!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Christ the Center Interviews Richard B. Gaffin</title>
		<link>http://reformedforum.org/ctc57/#comment-7753</link>
		<dc:creator>Christ the Center Interviews Richard B. Gaffin</dc:creator>
		<pubDate>Sat, 21 Feb 2009 03:32:35 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7753</guid>
		<description>[...] and the Gospel. If you have an hour to listen to a very interesting interview, you should download this particular episode.     [...]</description>
		<content:encoded><![CDATA[<p>[...] and the Gospel. If you have an hour to listen to a very interesting interview, you should download this particular episode.     [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Reformed Forum &#187; Priority of the Forensic in Historia Salutis?</title>
		<link>http://reformedforum.org/ctc57/#comment-7732</link>
		<dc:creator>Reformed Forum &#187; Priority of the Forensic in Historia Salutis?</dc:creator>
		<pubDate>Fri, 20 Feb 2009 15:17:25 +0000</pubDate>
		<guid isPermaLink="false">http://reformedforum.org/?p=586#comment-7732</guid>
		<description>[...] Priority of the Forensic in Historia Salutis?   &#160;  &#160;Standard Podcast [3:57m]: Play Now &#124; Play in Popup &#124; Download   Richard B. Gaffin, Jr. discusses the relationship of the forensic to the other elements of the work of Christ in accomplishing redemption for his people. This is an excerpt from Christ the Center episode 57. [...]</description>
		<content:encoded><![CDATA[<p>[...] Priority of the Forensic in Historia Salutis?   &nbsp;  &nbsp;Standard Podcast [3:57m]: Play Now | Play in Popup | Download   Richard B. Gaffin, Jr. discusses the relationship of the forensic to the other elements of the work of Christ in accomplishing redemption for his people. This is an excerpt from Christ the Center episode 57. [...]</p>
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