On October 31st, 1517, Martin Luther nailed his ninety-five theses to the church door in Wittenberg. These were dark, dark days; the gospel had been shackled by the superstitions and idolatries
This is the fifth and final installment in our series on reading the Bible as literature. We first considered what a literary approach looks like and provided a few examples.
On October 31st, 1517, Martin Luther nailed his ninety-five theses to the church door in Wittenberg. These were dark, dark days; the gospel had been shackled by the superstitions and idolatries
This is the fifth and final installment in our series on reading the Bible as literature. We first considered what a literary approach looks like and provided a few examples.
Receive notifications about forthcoming events, publications, and other updates. If you provide a US mailing address, we’ll send you a complimentary copy of our print newsletter when we publish the next issue.
Summer1
By Geerhardus Vos Translated by Daniel Ragusa
Though thousands of signs do brim
That he the land has graced,
How shall I ever find him?
Where do his
Autumn1 By Geerhardus Vos Translated by Daniel Ragusa Still lingers golden autumn, still stand harvest colors,
Ripening in field, still roams through woods and gardens
A lovely postlude
I had the privilege of participating in a panel discussion on Danny Olinger’s excellent biography of Geerhardus Vos at the Presbyterian Scholars Conference, held at Harbor House, Wheaton College, on
Winter’s Death[1] by Geerhardus Vos
Here lies the Winter hated,
Goliath-like prostrated,
Whom David’s stone laid low.
Recovered from earth’s chillness,
Spring uses the first stillness
To put left-over illness
Beneath the thin-grown snow. His efforts
